Services

What we do is simple.
How we do it is rare.

There are no preset packages. Every client relationship begins with understanding and unfolds according to what the brand actually needs. What follows is the shape of the work — though the specifics are always tailored.

How we work


Mary does not operate on a productized service model. She brings the strategic mind of a brand architect, the eye of a fine artist, the pen of a gifted copywriter, and the patience of someone who treats every client’s brand like her own.

The seven capabilities below are the disciplines she brings to every engagement. In practice, most projects draw on several at once — and they’re all delivered by the same person, the same voice, across the full arc of the work.

What we do

A one-woman creative department.

  1. Brand Strategy & Consulting

    The foundation of everything. Mary immerses herself in your business with the dedication of a co-founder — your products, your customers, your competitive landscape, your story. This isn’t a questionnaire. It’s a genuine period of learning that shapes every decision downstream. For industry outsiders, it includes something no other agency can offer: a candid map of the equestrian world’s social landscape — the unwritten rules, the relationships that matter, and the missteps that can quietly close doors.

  2. Creative Direction & Advertising

    Mary’s advertising belongs in the pages of any New York magazine. She art-directs photography that captures moments — not poses. She writes copy in the Ogilvy tradition: short, precise phrases that give the image its meaning. Everything is conceived for print first, the format that demands the most craft and intentionality. Work designed for print always exceeds expectations on screen. The reverse is rarely true.

  3. Print Design & Editorial Production

    Full production of product catalogs, brand magazines, and editorial campaigns — from concept to finished piece. Photography coordination, layout, typography, and the editorial sensibility that transforms a collection of pages into a publication people choose to spend time with.

  4. Product Design & Packaging

    Mary’s creative reach extends into physical product. She’s designed chocolate molds, packaging systems where the package becomes part of the story, and brand experiences where every tactile detail reinforces the identity. If your product deserves better than a stock label, this is where that happens.

  5. Copywriting

    Every word earns its place. Headlines, taglines, catalog descriptions, full-page ad copy — written by hand, by someone who understands that a single phrase can connect an emotional image to a brand promise. This is a craft discipline, not a commodity.

  6. Brand Identity & Logo Design

    A logo is not a deliverable — it’s a distillation. Mary’s brand identity process begins with immersion and ends with a mark that carries the full weight of who you are. Hand-drawn, hand-crafted, and designed to endure.

  7. Industry Access & Relationship Brokering

    Mary’s network is a strategic asset. She knows the decision-makers, the influencers, and the gatekeepers of the equestrian world. Whether it’s an introduction, a distribution relationship, or a sponsorship conversation — access is built into every engagement.

A sample of the work

Or, put another way —

A merry design print ad titled ‘Hire the art director.’ The image shows a smiling young woman in an equestrian-patterned shirt — navy blue foxes, hounds, horns, and helmets on a cream ground. Two columns of copy flank her: on the left, ‘It’s a fox hunting shirt right? Non equestrian sees… Dog, check. Fox, check. Horn, check. Helmet, check.’ On the right, ‘Horse girl says… Pretty sure that’s a German Shorthaired Pointer, the fox has a trace clip, and why is there a trumpet in there?’
An ad that makes its own argument. Copywriting and art direction, demonstrating themselves.

Who we work with

Four kinds of brands we tend to be right for.

These are not pigeonholes — most clients share traits across more than one. They are, however, honest about the kinds of engagements where merry design does its best work.

  1. The Funded Launch

    New businesses with capital but without cultural credibility.

    Startups entering the equestrian market with investor backing, early-stage clarity, and the most expensive mistake ahead of them: building marketing infrastructure they’ll tear down in eighteen months. Mary prevents that. Brand architecture that scales, and the cultural fluency that makes it land.

  2. The Devoted Steward

    Mid-sized, owner-operated businesses where the brand is personal.

    Founders doing their own marketing or suffering through commodity services, who want a creative partner who treats their brand with reverence — and who will still be there in a decade. These engagements are long, deep, and often carry more than one generation of the business.

  3. The Industry Outsider

    Great products crossing laterally into the equestrian world.

    A technical founder with a world-class product and no way in. The equestrian world has unwritten rules — breaking them can mean silent blacklisting. Mary is the cultural translator, the etiquette coach, and the door-opener. She has done this before.

  4. The Equestrian-Adjacent

    Family businesses whose brand and aesthetic overlap with the equestrian world.

    Heritage, craftsmanship, personal connection, respect for tradition. The customer base may not own a horse, but they shop in the same towns and read the same magazines. Marketing that feels generic in hunt country gets ignored. Marketing made by someone who lives there does not.

The investment


Pricing that reflects depth, not deliverables.

merry design does not publish rates or pricing tiers. Every engagement is scoped to what you actually need, and investment reflects the depth and duration of the work — not a menu of standardized outputs.

The right clients understand this intuitively: Mary’s work creates brand equity that compounds over time. Stronger positioning, deeper customer loyalty, creative assets that endure, and access to relationships that would otherwise take years to build.

If your primary concern is cost-per-deliverable, a productized agency may be the better fit — and that’s a perfectly honest thing to say.

Where we fit


merry design’s primary leverage is upstream — strategy, creative direction, and the brand foundation that every downstream channel depends on. Many engagements also include execution: print production, digital ads, website work, photography coordination, campaign rollout. Mary coordinates those through her vendor network and stays the creative lead end-to-end.

Where merry design isn’t the right fit is the opposite shape: clients who want fast, cheap, or scalable. The engagement model is intimate, the timelines respect the creative process, and the investment reflects the value of bespoke work.

In closing

The right conversation, unhurried.

Every engagement begins with a conversation, not a deck. If what you’ve read above reads like the right shape of work, Mary would like to hear about your brand.

Start a conversation